ESPN.com: Page 2 : New slogans from the TMQ Home Office Deir el Bahari VII, Offering Scenes in the Chapel of Hatshepsut. ISBN: 9788394357061 Description: hardback, 340 pp. (30x21,5 cm), ills., separate booklet with 30 plates Condition: new Weight: 2110g. A. Stupko Lubczynska, Offering Scenes in the Chapel of Hatshepsut, Deir el Bahari VII, Institute of Mediterranean and Oriental Cultures, Polish Academy of Sciences, Polish Centre of Mediterranean Archaeology, University of Warsaw, Warsaw 2016 Acknowledgements VII Contents IX Chronology XV Symbols and abbreviations XVII Bibliography XIX I. INTRODUCTION 1 I. 1. COMPARATIVE MATERIAL 3 I. 2. EDITORIAL CONSIDERATIONS 5 II. THE CHAPEL OF HATSHEPSUT AND THE SANCTUARIES OF THE PYRAMID TEMPLES OF THE OLD AND MIDDLE KINGDOMS 7 II. 1. ARCHITECTURE 7 II. 2. DECORATION 16 III. OFFERING SCENES IN THE CHAPEL OF HATSHEPSUT 19 III. 1. OFFERING TABLE SCENE 19 III. 1. 1. Description 19 III. 1. 2. Diachronic development and interpretation of the motif 26 III. 2. OFFERING LIST 37 III. 2. 1. Description 37 III. 2. 2. Diachronic development of the offering lists 38 III. 2. 2. 1. Type A offering lists 38 III. 2. 2. 2. Type A B lists and the Offering Ritual in the Pyramid Texts 39 III. 2. 2. 3. Offering lists in the sanctuaries of the pyramid temples and the list in the Chapel of Hatshepsut 40 III. 2. 3. The Ritual of the Opening of the Mouth 48 III. 2. 3. 1. The Ritual of the Opening of the Mouth in the Pyramid Texts and the Type B offering lists 48 III. 2. 3. 1. 1. Archaeological context of the Ritual 49 III. 2. 3. 1. 2. Meaning of the Ritual 49 III. 2. 3. 2. The Ritual of the Opening of the Mouth in the offering list of the Chapel of Hatshepsut 50 III. 2. 4. Composition of the offering lists 53 III. 2. 4. 1. Composition of the offering lists before the reign of Hatshepsut 54 III. 2. 4. 2. Composition of the offering list in the Chapel of Hatshepsut 57 III. 2. 4. 3. Number of columns 58 III. 2. 4. 4. Height of the registers 58 III. 2. 4. 5. Summary 58 X Contents III. 2. 5. The closing of the offering list in the Chapel of Hatshepsut 59 III. 3. SEQUENCE OF THE RITUAL ACTS 62 III. 3. 1. Description 62 III. 3. 2. Diachronic development of the motif 65 III. 3. 2. 1. Old Kingdom 65 III. 3. 2. 1. 1. Early representations (type 1) 65 III. 3. 2. 1. 2. Later representations (type 2) 67 III. 3. 2. 1. 2. 1. Type 2 representations in the private tombs 67 III. 3. 2. 1. 2. 2. Type 2 representations in the pyramid temples 69 III. 3. 2. 1. 3. The course and meaning of the ritual 73 III. 3. 2. 1. 3. 1. The course of the ritual in the Pyramid Texts 73 III. 3. 2. 1. 3. 2. Role and place of the sAxw in the ritual 75 III. 3. 2. 2. Middle Kingdom 82 III. 3. 2. 2. 1. Representations in the pyramid temples 82 III. 3. 2. 2. 2. Representations in the private tombs 83 III. 3. 2. 3. Early Eighteenth Dynasty 85 III. 3. 3. Summary 88 III. 4. OFFERING PROCESSION 90 III. 4. 1. Offerings 90 III. 4. 1. 1. Head of the procession 90 III. 4. 1. 1. 1. Description 90 III. 4. 1. 1. 2. Diachronic development of the motif 91 III. 4. 1. 1. 2. 1. pS legs and birds at the beginning of the offering procession 91 III. 4. 1. 1. 2. 2. pS legs and geese in the sequence of the ritual acts 94 III. 4. 1. 1. 3. Function in the rituals 96 III. 4. 1. 1. 3. 1. The Ritual of the Opening of the Mouth in the Pyramid Texts 96 III. 4. 1. 1. 3. 2. The Ritual of the Opening of the Mouth in the New Kingdom III. 4. 1. 1. 4. Interpretation 102 III. 4. 1. 1. 4. 1. Inscriptions 102 III. 4. 1. 1. 4. 2. Titles of the offering bearers 103 III. 4. 1. 1. 4. 3. Costume of the offering bearers 103 III. 4. 1. 1. 5. Summary 104 III. 4. 1. 2. Oils, eye paints, and linen 105 III. 4. 1. 2. 1. Description 105 III. 4. 1. 2. 2. Oils, eye paints, and linen in the Old and Middle Kingdoms 106 III. 4. 1. 2. 2. 1. Archaeological context 106 III. 4. 1. 2. 2. 1. 1. Tomb equipment 106 III. 4. 1. 2. 2. 1. 2. Temple equipment 108 III. 4. 1. 2. 2. 2. Lists of objects 108 III. 4. 1. 2. 2. 2. 1. Ideographic lists 108 III. 4. 1. 2. 2. 2. 2. Tomb inventory lists 108 III. 4. 1. 2. 2. 2. 3. Offering lists 109 III. 4. 1. 2. 2. 3. Iconographic sources 110 III. 4. 1. 2. 2. 3. 1. Scenes of the transport and presentation of the tomb equipment 110 III. 4. 1. 2. 2. 3. 2. Offering processions 114 III. 4. 1. 2. 2. 3. 3. Decoration of the storerooms 117 III. 4. 1. 2. 2. 3. 4. Decoration of the burial chambers, sarcophagi, and coffins 121 III. 4. 1. 2. 2. 4. Ritual significance of the oils, eye paints, and linen 124 III. 4. 1. 2. 2. 5. Place of the oils and linen in the funerary meal with relation to the tomb architecture 127 III. 4. 1. 2. 3. Oils and linen in the decoration of the Theban tombs of the early Eighteenth Dynasty 130 III. 4. 1. 2. 3. 1. Presentation of the oils and linen associated with the offering scenes 130 III. 4. 1. 2. 3. 2. Presentation of the oils and linen associated with the Ritual of the Opening of the Mouth 131 III. 4. 1. 2. 3. 3. Presentation of the oils and linen as an independent scene 133 III. 4. 1. 2. 3. 4. Offering of the oils and linen at the beginning of the year 133 III. 4. 1. 2. 3. 5. Oils and linen as the tomb equipment 134 III. 4. 1. 2. 3. 5. 1. Friezes of objects 134 III. 4. 1. 2. 3. 5. 2. Tomb equipment presented to the deceased 135 III. 4. 1. 2. 3. 5. 3. Tomb equipment carried in the funeral procession 135 III. 4. 1. 2. 3. 6. Linen in the scenes of administering the treasury 136 III. 4. 1. 2. 3. 7. Distribution of the oils and linen motifs in the Theban tombs III. 4. 1. 2. 4. Presentation of the oils and linen in the Chapel of Hatshepsut: interpretation 140 III. 4. 1. 2. 4. 1. Oils, eye paints, and wnxw strips 140 III. 4. 1. 2. 4. 2. Other textiles 142 III. 4. 1. 2. 4. 3. Place in the offering procession 143 III. 4. 1. 3. Vessels, pouches, and stands 145 III. 4. 1. 3. 1. Description 145 III. 4. 1. 3. 2. Place in the offering procession and the diachronic development of the motifs 150 III. 4. 1. 3. 2. 1. Open forms 150 III. 4. 1. 3. 2. 1. 1. Decorative and luxury ware 150 III. 4. 1. 3. 2. 1. 2. Tableware 156 III. 4. 1. 3. 2. 2. Closed forms 156 III. 4. 1. 3. 2. 2. 1. Cosmetic containers 156 III. 4. 1. 3. 2. 2. 2. Tableware and storage vessels 158 III. 4. 1. 3. 2. 3. Pouches and stands 165 III. 4. 1. 3. 3. Summary 166 III. 4. 1. 4. Bread, vegetables, fruit, corn, and flowers 168 III. 4. 1. 4. 1. Description 168 III. 4. 1. 4. 2. Place in the offering procession and the diachronic development of the motifs 176 III. 4. 1. 4. 2. 1. Bread 176 III. 4. 1. 4. 2. 2. Vegetables and fruit 178 III. 4. 1. 4. 2. 3. Sheaves of corn 180 III. 4. 1. 4. 2. 4. Flowers 181 III. 4. 1. 4. 3. Summary 184 III. 4. 1. 5. Mammals 185 III. 4. 1. 5. 1. Description 185 III. 4. 1. 5. 2. Scenes involving mammals in the temples and tombs of the Old Kingdom 185 III. 4. 1. 5. 2. 1. Pyramid temples of the Fourth Dynasty 185 III. 4. 1. 5. 2. 2. Private tombs of the Fourth and Fifth Dynasties 186 III. 4. 1. 5. 2. 3. Pyramid temples of the Fifth and Sixth Dynasties 189 III. 4. 1. 5. 2. 4. Private tombs of the Fifth and Sixth Dynasties 192 III. 4. 1. 5. 2. 5. Distribution of the scenes 194 III. 4. 1. 5. 3. Scenes involving mammals in the tombs and temples from the Middle Kingdom to the early Eighteenth Dynasty 196 III. 4. 1. 5. 3. 1. Tombs of Middle Egypt 196 III. 4. 1. 5. 3. 2. Royal temples 198 III. 4. 1. 5. 3. 3. Theban tombs 198 III. 4. 1. 5. 3. 3. 1. Acquisition and presentation of the Delta products 199 III. 4. 1. 5. 3. 3. 2. Desert hunt 201 III. 4. 1. 5. 3. 3. 3. Distribution of the scenes 206 III. 4. 1. 5. 4. Mammals as an element of the offering procession 208 III. 4. 1. 5. 5. Presentation of mammals in the Chapel of Hatshepsut: interpretation 214 III. 4. 1. 5. 5. 1. Inscriptions 214 III. 4. 1. 5. 5. 2. Place in the offering procession 215 III. 4. 1. 5. 5. 3. Titles of the offering bearers 216 III. 4. 1. 5. 5. 4. Geographical connotations of the motifs 216 III. 4. 1. 6. Butchery products 219 III. 4. 1. 6. 1. Description 219 III. 4. 1. 6. 2. Meat offerings as burial goods 224 III. 4. 1. 6. 3. Butchery products carried in the offering procession: diachronic development of the motif 225 III. 4. 1. 6. 3. 1. Old Kingdom 225 III. 4. 1. 6. 3. 1. 1. Private tombs 225 III. 4. 1. 6. 3. 1. 2. Pyramid temples 229 III. 4. 1. 6. 3. 2. Middle Kingdom and the early Eighteenth Dynasty 231 III. 4. 1. 6. 4. Butchery products in the Chapel of Hatshepsut: interpretation 232 III. 4. 1. 6. 4. 1. Types of meat 232 III. 4. 1. 6. 4. 2. Place in the offering procession 233 III. 4. 1. 7. Birds 236 III. 4. 1. 7. 1. Description 236 III. 4. 1. 7. 2. Offerings of birds as burial goods 241 III. 4. 1. 7. 3. Waterfowl 241 III. 4. 1. 7. 3. 1. Live birds: diachronic development of the motif 242 III. 4. 1. 7. 3. 2. Dead birds: diachronic development of the motif 246 III. 4. 1. 7. 3. 3. Place in the offering procession 249 III. 4. 1. 7. 4. Pigeons, quails, nestlings, and eggs 249 III. 4. 1. 7. 4. 1. Diachronic development of the motif 250 III. 4. 1. 7. 4. 2. Place in the offering procession 252 III. 4. 1. 7. 5. Cranes 253 III. 4. 1. 7. 5. 1. Walking cranes: diachronic development of the motif 253 III. 4. 1. 7. 5. 2. Carried cranes: diachronic development of the motif 256 III. 4. 1. 7. 5. 3. Place in the offering procession 258 III. 4. 1. 7. 6. Summary 259 III. 4. 2. Titles of the offering bearers 260 III. 4. 2. 1. Description 260 III. 4. 2. 2. Diachronic development of the motif and interpretation 265 III. 4. 2. 3. Distribution of the titles in the offering procession 272 III. 5. FRIEZE OF THE PILED OFFERINGS 274 III. 5. 1. Description 274 III. 5. 2. Diachronic development of the motif 274 III. 6. IUNMUTEF AND THOTH 279 III. 6. 1 Description 279 III. 6. 1. 1. Iunmutef 280 III. 6. 1. 1. 1. Original relief 280 III. 6. 1. 1. 2. Ramesside restoration 281 III. 6. 1. 2. Thoth 281 III. 6. 1. 2. 1. Original relief 281 III. 6. 1. 2. 2. Ramesside restoration 282 III. 6. 2. Iunmutef and Thoth in the royal cult 283 III. 6. 3. Representations of Iunmutef and Thoth outside the Chapel of Hatshepsut from the Old Kingdom to the early Eighteenth Dynasty 283 III. 6. 3. 1. Coronation scenes and the sed festival 284 III. 6. 3. 2. Offering scenes 287 III. 6. 4. Ritual context of the representations 290 III. 6. 4. 1. Offering formulae on the Middle Kingdom coffins. Offering Ritual or Resurrection Ritual? 290 III. 6. 4. 2. The snwt building and the jtrt shrines of the South and North 291 III. 6. 4. 2. 1. The jtrt shrines of the South and North in the architecture of the royal tombs 292 III. 6. 4. 2. 1. 1. The sed festival court of the Step Pyramid complex 292 III. 6. 4. 2. 1. 2. Antichambre carre of the pyramid temples 293 III. 6. 4. 2. 2. The jtrt shrines of the South and North in the Pyramid Texts 296 III. 6. 4. 2. 3. Antichambre carre as the entrance to the Akhet 301 III. 6. 4. 3. Horus and Thoth in the Resurrection Ritual 303 III. 6. 4. 3. 1. Old Kingdom 303 III. 6. 4. 3. 2. Middle Kingdom 306 III. 6. 4. 4. Resurrection texts in the Theban tombs of the early Eighteenth Dynasty 309 III. 6. 4. 5. The role of Iunmutef and Thoth in the coronation and offering scenes 314 III. 6. 5. Summary 317 IV. Concluding Remarks 319 Tables 323 Indices 327